The RAW file format is the uncompressed data file captured by a digital camera's electronic sensor. When your camera saves an image in RAW format, settings like white balance, sharpening, contrast and saturation are not applied to the image but are saved instead in a separate header. Because RAW files remain virtually untouched by in-camera processing, they are essentially the digital equivalent to exposed but undeveloped film.

Absolute Beginner's Guide to WordPerfect 11 reveals all the secrets necessary to meet your word processing needs. This guide starts from the very beginning and then takes you step-by-step through the essential tasks to produce any type of document, including: letters, invoices, lists, reports, newsletters, invitations, charts, presentations, spreadsheets, and much more. With its lighthearted tone and straightforward approach, you'll be using WordPerfect 11 with confidence in no time!

Surreal digital photography is not only an enjoyable extension of many enthusiast’s repertoire, but is has firmly established a foothold in the world of art. This book reveals the latest developments in the field and demystifies the techniques used by modern surreal photographers, whether they favor SOOC (straight out of the camera) or sophisticated digital manipulations. Breaking down the shooting and editing process for any reader to follow and emulate, this book provides step-by-step instructions for creating extraordinary scenes. With contributions from numerous artists—including Natalie Dybisz, Jon Jacobsen and Dariusz Klimczak— readers will be able to explore many different artistic styles from impossible landscapes to unsettling portraits.

David D. Busch has been demystifying arcane computer and imaging technology since the early 1980s. However, he had a successful career as a professional photographer for a decade before he sat down at the keyboard of his first personal computer. Busch has worked as a newspaper photographer, done commercial studio and portrait work, shot weddings, and roved the United States and Europe as a photojournalist. His articles on photography and image editing have appeared in magazines as diverse as Popular Photography and Imaging, Petersen's PhotoGraphic, Rangefinder, and The Professional Photographer, as well as computer magazines such as Macworld and Computer Shopper. He's currently reviewing digital cameras for CNet and Computer Shopper.

Nowadays, not only tackling the phenomena of physics, but also many issues in technology, engineering and production, oftentimes require complicated mathematical processing. Recently, a CEO of an industrial plant revealed that, through application of a boundary value problem of elastic stress, he was able to save 30 percent in material. It seems that close cooperation of sci- ence with technology and production is more relevant today than ever. Many processes of production and technology can be simulated through differential equations. Knowledge of these mathematical procedures and their applica- tions is therefore not only essential in theory for the student, but also vital for the practitioner, the engineer, physicist or technologist.

No two crime scenes are the same, and each scene presents a unique set of obstacles to overcome. While there is no one "right" way to handle every situation, the goal of collecting evidence while preserving its integrity remains the constant motivation of the crime scene investigator.

50 Fast Photoshop "X" Techniques for is an immensely useful book for anyone wanting to take advantage of the very latest release of the world's top digital imaging tool, Adobe Photoshop. The techniques are valuable to both pros and hobbyists alike - they enable everyone to enjoy successful creation of fine art images and prints! The step-by-step and richly illustrated collection of awesome techniques are easily accessible and understandable to users on every level. This is a new kind of Photoshop book-one that can help both casual users through professional users save time while creating professional quality images and effects!

Under Stalin's leadership, the Soviet government carried out a massive number of deportations, incarcerations, and executions. Paradoxically, at the very moment that Soviet authorities were killing thousands of individuals, they were also engaged in an enormous pronatalist campaign to boost the population. Even as the number of repressions grew exponentially, Communist Party leaders enacted sweeping social welfare and public health measures to safeguard people's well-being. Extensive state surveillance of the population went hand in hand with literacy campaigns, political education, and efforts to instill in people an appreciation of high culture. In Cultivating the Masses, David L. Hoffmann examines the Party leadership's pursuit of these seemingly contradictory policies in order to grasp fully the character of the Stalinist regime, a regime intent on transforming the socioeconomic order and the very nature of its citizens. To analyze Soviet social policies, Hoffmann places them in an international comparative context. He explains Soviet technologies of social intervention as one particular constellation of modern state practices. These practices developed in conjunction with the ambitions of nineteenth-century European reformers to refashion society, and they subsequently prompted welfare programs, public health initiatives, and reproductive regulations in countries around the world. The mobilizational demands of World War I impelled political leaders to expand even further their efforts at population management, via economic controls, surveillance, propaganda, and state violence. Born at this moment of total war, the Soviet system institutionalized these wartime methods as permanent features of governance. Party leaders, whose dictatorship included no checks on state power, in turn attached interventionist practices to their ideological goal of building socialism.

This supplement to any standard DSP text is one of the first books to successfully integrate the use of MATLAB® in the study of DSP concepts. In this book, MATLAB® is used as a computing tool to explore traditional DSP topics, and solve problems to gain insight. This greatly expands the range and complexity of problems that students can effectively study in the course. Since DSP applications are primarily algorithms implemented on a DSP processor or software, a fair amount of programming is required. Using interactive software such as MATLAB® makes it possible to place more emphasis on learning new and difficult concepts than on programming algorithms. Interesting practical examples are discussed and useful problems are explored. This updated printing revises the scripts in the book, available functions, and m-files (available for downloading from the Brooks/Cole Bookware Companion Resource Series? Center Web site) to MATLAB® V5 (created with 5.3).

This book brings together everything you need to achieve superior results with PC-based image processing and analysis. Expert Thomas Klinger combines a highly accessible overview of the field's key concepts, tools, and techniques; the first expert introduction to NI's breakthrough IMAQ Vision software; and several start-to-finish application case studies. You also get an extensive library of code and image samples, as well as a complete trial version of IMAQ Vision for Windows.

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This guide will teach you how to create professional looking documents using WordPerfect 11 by formatting documents, using templates, creating Web links, adding borders, and much more.

Color Theory and Modeling for Computer Graphics, Visualization, and Multimedia Applications deals with color vision and visual computing. This book provides an overview of the human visual system with an emphasis on color vision and perception. The book then goes on to discuss how human color vision and perception are applied in several applications using computer-generated displays, such as computer graphics and information and data visualization. Color Theory and Modeling for Computer Graphics, Visualization, and Multimedia Applications is suitable as a secondary text for a graduate-level course on computer graphics, computer imaging, or multimedia computing and as a reference for researchers and practitioners developing computer graphics and multimedia applications.

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Armed with the knowledge of this guide, you can learn Photoshop, work with digital images, understand PICT and EPS files, match clolors, use filters, and produce Web graphics with ease.