Among the many technical innovations that were introduced after World War II, none left as strong an impression on the public as the atom bombs that destroyed two Japanese cities in August 1945. People spoke of the "atomic age" that had now begun, as if this technological innovation would, all by itself, shape a new world. The atomic age was described as one that might soon end in the destruction of human civilization, but from the beginning, utopian images were attached to it as well. Nuclear technology offered the promise of applications in medicine, agriculture, and engineering, and nuclear power could theoretically provide an unlimited supply of energy. This book demonstrates and explains how the popular media represented nuclear power, in its military and non-military forms. It focuses on the first two decades of the "atomic age," when national governments, military strategists, scientists, and the public attempted to come to terms with a technology that so drastically seemed to change the prospects for the future. Popular magazines, comics, newspapers, public exhibitions from across the world are examined to compare representations of nuclear power in different countries and to trace divergences, convergences, and exchanges.

This book took more than seven years to research and write and has passed through several stages of transformation. During this long process, I have benefited from the encouragement and ideas of countless colleagues, mentors, friends, and family members. First, I would like to thank Charles D. Smith and Julia Clancy-Smith. Carl’s and Julia’s mentoring, insight, and engagement with my work were instrumental in seeing this project through. I will forever be in their debt. I would also like to thank Linda T. Darling. Linda is the consummate mentor; her office door was always open to me for endless academic questions and discussions. I would like to thank Kate Wahl, the Stanford University Press executive editor, for taking a chance on my book and for her thoroughness and professionalism. The critical and encouraging comments of the SUP anonymous readers were extremely helpful in framing my revisions. My book is much better because of the readers’ advice. I am especially grateful to Walter Armbrust, who meticulously examined and critiqued the entire manuscript. His insights led me to explore new paths I had not yet considered. I am indebted to many colleagues, friends, and acquaintances: Donald Malcolm Reid, Tracy Gould, Julia Hutchins-Richards, and Christina Lindeman, for reading and commenting on an earlier draft of Chapter 2; Frédéric Lagrange, for sending me some relevant pages from the catalogs of Odeon, Columbia, and Baidaphon record companies; Munther Yunis, for allowing me to use his extensive library on linguistics; and Lauren Monroe, for reading and commenting on my introduction. I would also like to thank Deborah Starr and Vikash Yadav for sharing their book proposals with me and for their helpful advice on the publication process. Through the years, a great number of people have directly or indirectly contributed to my scholarship and intellectual growth. I benefited from the mentoring and advice of Richard Eaton, Leila Hudson, Michael Bonine, Adel Gamal, Kamran Talattof, Amy Newhall, Richard Cosgrove, Kevin Gosner, Eric Davis, and Stephen Reinhardt. Throughout the writing process, my colleagues and the academic staff in the Department of Near Eastern Studies at Cornell University were generous and unbelievably supportive. I am truly blessed to work in such a collegial and supportive atmosphere. Financial assistance for the research and writing of this project came from a variety of sources. The bulk of the research for this book took place in Egypt and England, with the help of generous research grants from Fulbright-Hays and the American Research Center in Egypt. Cornell University’s Society for the Humanities summer research grants in 2008 and 2010 helped me acquire additional resources, which were instrumental in the completion of this project. I am also indebted to the Cornell University Library and especially Ali Houissa, the Middle East and Islamic Studies librarian, for acquiring dozens of rare Arabic periodicals, which were extremely useful for my research. A part of Chapter 5 and a section from the introduction are reprinted with permission from my previous work, “Media Capitalism: Colloquial Mass Culture and Nationalism in Egypt, 1908–1918,” International Journal of Middle Eastern Studies 42(1) (February 2010): 83–103. I am eternally grateful to my parents, Ferial Sammakia and Adel Fahmy, who sacrificed a lot for my education and helped instill in me a sense of historical and intellectual curiosity. Most of all, I would like to thank my wife, Kaila Bussert, who proofread countless incarnations of this manuscript and endured my endless obsessions with this book project. Her love and unfailing intellectual and emotional support made this book possible.

What did people do for fun in the earliest years of the 20th Century? How did they dress? What were they reading? This book looks at popular culture at the turn of the century and covers the dawn of recording technology, the birth of jazz, early moving pictures, the first daily comics, and much, much more. Looks at how WWI effected the popular culture of the era, as well.

Genocide: A Comprehensive Introduction is the most wide-ranging textbook on genocide yet published. The book is designed as a text for upper-undergraduate and graduate students, as well as a primer for non-specialists and general readers interested in learning about one of humanity’s enduring blights. Fully updated to reflect the latest thinking in this rapidly developing field, this new edition: provides an introduction to genocide as both a historical phenomenon and an analytical-legal concept, including an extended discussion of the concept of genocidal intent, and the dynamism and contingency of genocidal processes; discusses the role of state-building, imperialism, war, and social revolution in fueling genocide; supplies a wide range of full-length case studies of genocides worldwide, each with an accompanying box-text; explores perspectives on genocide from the social sciences, including psychology, sociology, anthropology, political science/international relations, and gender studies; considers "The Future of Genocide," with attention to historical memory and genocide denial; initiatives for truth, justice, and redress; and strategies of intervention and prevention.

Napalm, incendiary gel that sticks to skin and burns to the bone, came into the world on Valentine s Day 1942 at a secret Harvard war research laboratory. On March 9, 1945, it created an inferno that killed over 87,500 people in Tokyo more than died in the atomic explosions at Hiroshima or Nagasaki. It went on to incinerate sixty-four of Japan s largest cities. The Bomb got the press, but napalm did the work. After World War II, the incendiary held the line against communism in Greece and Korea Napalm Day led the 1950 counter-attack from Inchon and fought elsewhere under many flags. Americans generally applauded, until the Vietnam War. Today, napalm lives on as a pariah: a symbol of American cruelty and the misguided use of power, according to anti-war protesters in the 1960s and popular culture from "Apocalypse Now" to the punk band Napalm Death and British street artist Banksy. Its use by Serbia in 1994 and by the United States in Iraq in 2003 drew condemnation. United Nations delegates judged deployment against concentrations of civilians a war crime in 1980. After thirty-one years, America joined the global consensus, in 2011. Robert Neer has written the first history of napalm, from its inaugural test on the Harvard College soccer field, to a Marine Corps plan to attack Japan with millions of bats armed with tiny napalm time bombs, to the reflections of Phan Thi Kim Phuc, a girl who knew firsthand about its power and its morality

Книга присвячена польсько-українському протистоянню напередодні Другої світової війни, під час нацистської окупації і в перші роки після неї. Основну увагу приділено подіям на Холмщині (головно від часу акції нищення православних церков у 1938 р. до масової депортації українського автохтонного населення в 1945—1947 pp.) і на Волині (головно в 1943—1944 pp., коли конфлікт був найкривавіщим). Наводяться також окремі матеріали про Галичину (включно з Надсянням і Лемківщиною), однак ширше питання про події в цьому регіоні будуть висвітлені в окремому томі. Книга включає дослідження, а також добірки документів, спогадів і матеріалів дискусії, що велася напередодні відкриття на Волині 11 липня 2003 р. пам'ятника польським і українським жертвам міжнаціонального конфлікту. Видання підготоване завдяки підтримці Фонду Теодора і Магдалини Бутреїв при Освітній Фундації Петра Яцика, Торонто, Канада.