This work provides a detailed history of infanticide in mainland Britain from 1600 to the modern era for the very first time. It examines continuity and change in the nature and characteristics of new-born child murder in Scotland, England and Wales over a chronology of more than four centuries. Alongside offering a comparative analysis of the types of individuals suspected of the offence, and a detailed appreciation of the different ways in which the crime was carried out, the work also exposes the broad nexus of causal factors which underpinned its enactment. In addition, the work investigates the evolving attitude in social, medical and legal contexts to the killing of young infants in Britain over a substantive time period. Thus the work as a whole is both compelling and innovative as it provides the reader with much more than a mere history of infanticide. The book also contributes much to our understanding of criminal history, gender history, legal history, medical history and social history in its analyses of the different contexts allied to the offence. It does this also through its exploration of the complex characteristics of accusers, commentators and perpetrators across cultures, borders and time.

While other books deal with the contemporary issue of the right to die, no attempt has been made to demonstrate substantially the historic nature of this question beyond the borders of the United States. Whiting demonstrates that the right to die controversy stretches back more than two thousand years, and he explains how current attitudes and practices in the U.S. have been influenced by the legal and cultural development of the ancient western world. This perspective allows the reader to understand not only the origins of the controversy, but also the different perspectives that each age has contributed to the ongoing debate. Whiting discusses the development of legal rights within both western culture and the United States, then applies these developments to the question of the right to die. In an environment of public debate that features such emotional events as the exploits of Jack Kevorkian, the publication of how to suicide manuals, and the counterattacks of Right to Life groups, the United States is left with very few options.

In this “chilling, in-depth examination of a rapidly emerging global crisis” (In These Times), Maude Barlow and Tony Clarke, two of the most active opponents to the privatization of water show how, contrary to received wisdom, water mainly flows uphill to the wealthy. Our most basic resource may one day be limited: our consumption doubles every twenty years—twice the rate of population increase. At the same time, increasingly transnational corporations are plotting to control the world’s dwindling water supply. In England and France, where water has already been privatized, rates have soared, and water shortages have been severe. The major bottled-water producers—Perrier, Evian, Naya, and now Coca-Cola and PepsiCo—are part of one of the fastest-growing and least-regulated industries, buying up freshwater rights and drying up crucial supplies. A truly shocking exposé that is a call to arms to people around the world, Blue Gold shows in frightening detail why, as the vice president of the World Bank has pronounced, “The wars of the next century will be about water.”

I am grateful for the indispensable help of these people: Professor James Connolly, Soteris Geogallis (Cyprus High Commission, London), Sindy Goldberg (South Africa House, London), the late Brigadier Michael Harbottle, Malcolm Harper (United Nations Association UK), Walter Kirwan (Secretary-General, Forum for Peace and Reconciliation, Dublin), Dr Carolyn Kitching, Dr Riika Kuusisto (University of Helsinki), Simon Partridge, the late Dr Dick Richardson, Mrs Aileen Spencer (Corrymeela Link, Reading), Simon Whitby (University of Bradford Department of Peace Studies), Marianne Whittaker, Dr Robin Wilson (University of Sussex). I am most thankful to members of staff of the Catholic Institute for International Relations, London; the European Commission, London; and in Belfast to staff at the Fair Employment Commission, the Industrial Development Board and the Northern Ireland Council for Integrated Education. Librarians in the Universities of Bradford, Durham and Teesside and at the United Nations Information Centre, London, have resourcefully and readily dealt with my many enquiries. I am indebted particularly to the Series Editors at Routledge, Professor Eric Evans and Dr Ruth Henig, for invaluable advice and support. Heather McCallum, Senior Editor at Routledge, has indefatigably seen the project through. And Jane Thompson has once again most effectively produced the manuscript.

Книга Джона Дикки "Cosa Nostra: история сицилийской мафии" в настоящее время является самым объемным исследованием жизни тайного преступного сообщества Сицилии, переведенным на русский язык. Без налета кинемотографического романтизма описана ужасающая реальность преступной деятельности Коза Ностра на протяжении двух столетий: рэкет, торговля наркотиками, похищения и убийства невинных людей, политическая коррупция, террор. Мафия, описанная здесь, совсем не похожа на ее стилизованное отображение в фильмах и романах с мифами о "верности традициям" и благородстве "людей чести". Имя этой преступной организации давно стало нарицательным. Коза Ностра – не просто название, фактически это – криминальный бренд, олицетворение тайной власти, основанной на насилии и кровопролитии. Самая жестокая, самая неуловимая, самая эффективная преступная организация мира – такова сицилийская мафия, широко известная под именем Коза Ностра. Война с мафией, продолжающаяся почти двести лет, создала этой организации ореол неуязвимости, но, как показали события конца XX столетия, мафию все же возможно победить. Как мафия достигла своего могущества, чего она добивается и чьей поддержкой пользуется, каковы ее планы на будущее – обо всем этом рассказывается в уникальном исследовании Джона Дикки. Коза Ностре посвящено немало книг; тем не менее, работа Джона Дикки стоит особняком – до сих пор ничего подобного этой книге еще не было. Впервые под одной обложкой собраны все известные на сегодня сведения о Коза Ностре, все подробности жизни тайного преступного общества Сицилии: от мафиозного кодекса чести и обрядов посвящения до политической коррупции и деловых интересов мафиози, от методов управления этой криминальной организацией до «бизнес-модели», которой она придерживается. Если вы хотите узнать, какой мафия была и чем живет и дышит сегодня, составить представление о ее деятельности на протяжении двух столетий, понять, благодаря чему мафия добилась той степени влияния, которой она ныне обладает, тогда эта книга – для вас.

Dangerous Offenders invites us to rethink the received wisdom on violent and sexual offenders, who seem so feared and so widely debated in this era of unparalleled affluence. Invaluable for students of criminology and sociology of risk.

Review: "Written against the academically dominant but simplistic romanticization of popular music as a positive force, this book focuses on the 'dark side' of the subject. It is an examination of the ways in which popular music has been deployed in association with violence, ranging from what appears to be an incidental relationship, to one in which music is explicitly applied as an instrument of violence." "A preliminary overview of the physiological and cognitive foundations of sounding/hearing which are distinctive within the sensorium, discloses in particular their potential for organic and psychic violence. The study then elaborates working definitions of key terms (including the vexed idea of the 'popular') for the purposes of this investigation, and provides a historical survey of examples of the nexus between music and violence, from (pre)Biblical times to the late nineteenth century." "The second half of the book concentrates on the modern era, marked in this case by the emergence of technologies by which music can be electronically augmented, generated, and disseminated, beginning with the advent of sound recording from the 1870s, and proceeding to audio-internet and other contemporary audio-technologies. Johnson and Cloonan argue that these technologies have transformed the potential of music to mediate cultural confrontations from the local to the global, particularly through violence. The authors present a taxonomy of case histories in the connection between popular music and violence, through increasingly intense forms of that relationship, culminating in the topical examples of music and torture, including those in Bosnia, Darfur, and by US forces in Iraq and Guantanamo Bay."--BOOK JACKET.