Slavoj Zizek was born in 1949 and is a Slovenian political philosopher, sociologist, and cultural critic best known for work with French psychoanalyst Jacques Lacan. Zizek writes on many topics, including the Iraq War, political correctness, globalization, human rights, and multiculturalism. His thought has received mixed receptions, from celebratory to deeply critical, but his politics are the element that most needs critical reassessment. This book introduces Zizek's primary areas of interest and the fields in which he has made his most influential contributions: ideology and political subjectivity; political totalitarianism; and contemporary culture. It explores political topics about which Zizek's interventions have been called partial or flawed, including liberalism, capitalism, the politics of religion, and political decisionism. A final section assesses Zizek and politics today. Each chapter considers the debates in which Zizek has intervened, his position, his positive contribution, and the limits of his position.

As early as the 1850s, gaslight tempted New Yorkers out into a burgeoning nightlife filled with shopping, dining, and dancing. Electricity later turned the city at night into an even more stunning spectacle of brilliantly lit streets and glittering skyscrapers. The advent of artificial lighting revolutionized the urban night, creating not only new forms of life and leisure, but also new ways of perceiving the nocturnal experience. New York Nocturne is the first book to examine how the art of the gaslit and electrified city evolved, and how representations of nighttime New York expanded the boundaries of modern painting, literature, and photography. Exploring the myriad images of Manhattan after dark, New York Nocturne shows how writers and artists took on the city's nocturnal blaze and transformed the scintillating landscape into an icon of modernity. The book traces key metaphors of the nighttime city: a seductive Babylon in the mid-1850s, a misty fairyland colonized by an empire of light in the early twentieth century, and a skyscraper-studded land of desire that became a stage for the voyeurism and violence of the 1940s and 1950s. The epilogue suggests how these themes have continued to shape our vision of nighttime New York ever since. Abundantly illustrated, New York Nocturne includes original readings of works by Whitman, Poe, Whistler, Riis, Stieglitz, Abbott, O'Keeffe, Stella, Hopper, Weegee, Ellison, Jacquette, and many others. Collectively, they tell a fascinating story about the relationship between night, art, and modern urban life.